"It’s impossible to buy anything today that doesn’t work and isn’t well
made. Consumer appreciation of design and production has evolved to the
point whereby making junk just isn’t profitable anymore (some
manufacturers tried it in the past but internet-enabled consumer power
has overtaken them). We expect things to be well made, not fall apart,
keep on working. You can buy quality stuff in $2 shops today. Apple and
Nike have been among the most visible design-led companies, though most
consumers don’t give a moment’s thought to the people who are giving the
prime of their lives in massive far-off factories to assemble these
products. (These craftspeople should be paid sustainable wages and have
better working conditions, and we as consumers should foot the bill and
feel happy about doing so)....
I am not sure if the craft levels in advertising are any more passionate
than they were when I started in business. Typographers, for example,
are as obsessive today as they were 45 years ago, only the equipment has
gotten exponentially better. My benchmark for craft in advertising is
this: whether it’s a CGI-laden Super Bowl spot or a piece of laundry
packaging, does the work convey Mystery, Sensuality and Intimacy? People
can instantly tell. Design has become democratic and visual literacy is
widespread. An ordinary average person can walk through the
contemporary art wing of the Met in New York and intuitively tell that the Rothko is colorful but ho-hum, the Jasper
Johns is good but not great, the Rauschenberg is so-so but the Pollock
(Autumn Rhythm Number 30) is absolutely drop-dead stunning.
This says to me that craft is all very well but aesthetics still rule
the day. Humans are visual thinkers first and foremost. We remember 20%
of what we read and 80% of what we see, which is a constant battle with
clients who want to cram more information about product benefits into a
communication thinking this will be more persuasive. It won’t be. We
respond emotionally to what we see, hear, smell, taste – and if we’re
fortunate, the shopper will pick the product up and touch it. This is
when craft kicks in – how does it feel, is it well made, is it good to
handle?
"
Kevin Roberts
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